From Downpatrick to Blacksod
From a residency at the Ballinglen Foundation, County Mayo, Ireland
These stunning, small paintings on paper are a dramatic change from the large, loosely painted oils that precede them. Something very different is going on here and, as in the tradition of the traveler’s journal the secrets sometimes are revealed in retrospect. These paintings record the colors, the changing light, the natural forms and the textures of the countryside. Mostly devoid of people, these luminous paintings include reference to what humans have done with the landscape, the cleared fields, hedgerows, stone walls, roads, buildings: an overlay of formal order like a bridle over a wild and powerful nature.
From a catalog essay by Diane K. Karp, Phd
A Bit of a Climb, 2005, oil on paper, 9 x 12 in.
Big Bull's Backyard, 2005, oil on paper, 9 x 12 in.
Block of Weather, 2005, oil on paper, 9 x 12 in.
Bogged Down #2, 2005, oil on paper, 9 x 12 in.
Break in the Mist, 2005, oil on paper, 9 x 12 in.
Coastline, 2005, oil on paper, 9 x 12 in.
Downpatrick Thursday, 2005, oil on paper, 9 x 12 in.
Mark My Word, 2005, oil on paper, 9 x 12 in.
Ruin in the Rain, 2005, oil on paper, 9 x 12 in.
Sky Above Bog Below, 2005, oil on paper, 9 x 12 in.
Blues, 2005, oil on paper, 22 x 30 in.
Universal Transmission, 2005, oil on paper, 9 x 12 in.
Bogged Down, 2005, oil on paper, 30 x 22 in.
February, 2005, oil on paper, 22 x 30 in.
From Downpatrick to Blacksod, 2005, oil on paper, 30 x 22 in.
Mark Six, 2005, oil on paper, 22 x 30 in.
Midweek, 2005, oil on paper, 22 x 30 in.
Sequence #3, 2005, oil on paper, 22 x 30 in.
Sequence, 2005, oil on paper, 22 x 30 in.
Times Three, 2005, oil on paper, 22 x 30 in.
Two Day Scheme #2, 2005, oil on paper, 22 x 30 in.
Two Weeks with Cyan, 2005, oil on paper, 22 x 30 in.
Two Weeks with Geranium Lake Tint, 2005, oil on paper, 22 x 30 in.